With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

Spino, a pathologist, receives an unidentified body which looks familiar to him... himself, 30 years younger.

A barber gives in to temptation and steals some money, leading to blackmail and murder.

Photographer Peter Christiansen, University of Miami student, does a picture story at an LSD party on the beach.

A feature-length documentary on the making of The Curse of the Screaming Dead

Pedro Alonso travels across Mexico to discover the power of traditional medicine from masters of the culture's ancestral healing rituals.

It follows the story of middle-aged office workers struggling to survive in a turbulent workplace.

A 2000's Romeo and Juliet in small town Ontario, where love does not win, but surviving players grow up to accept themselves as members of the LGBTQ+ community.

Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.

A homage to a church carved into a rock in Finland. But also, a filmic essay, accompanied by various quotations, recited by a woman’s voice. Seamlessly connecting the images and texts: deep melancholy, the wounds of our time, and the longing to no longer be “all by myself.”